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Fuller Rosen Gallery
319 N 11th St Unit 3-I
Philadelphia, PA 19107

Mark

Past

Flat Works for Structured Bodies
Pilar Gallego

June 06 – July 13, 2025


Crawl Space
Olivia Faith Harwood

April 04 – May 11, 2025


conjunctions
Mira Dayal

February 07 – March 16, 2025


Tender Giants
Amiko Li

November 01 – December 15, 2024


The Circadian Support Cycle
Amy Chiao

September 06 – October 13, 2024


Entre Dos Palmas
Angélica Maria Millán Lozano + Laura Camila Medina

July 05 – August 11, 2024


After Boucher
Molly Jae Vaughan

May 03 – June 16, 2024


Hand Me Downs
Frankie Krupa Vahdani

March 01 – April 14, 2024


Homesick
Reem Al-Wakeal, Wiley + Sabrina (Bingyi) Spurlock, and Amy Chiao

November 03 – December 17, 2023


live laugh lobotomize
Yuyang Zhang

September 08 – October 15, 2023


At The Same Time
Rebecca Tennenbaum

July 07 – August 13, 2023


Held Tight
Molly Alloy + Arielle Zamora

June 04 – August 07, 2022


Second Honeymoon
Dana Robinson

April 02 – May 08, 2022


Possessions, Possessions
Olivia Faith Harwood

January 29 – March 13, 2022


The Longest Leg
Emmanuela Soria Ruiz

November 11, 2021 – January 09, 2022


After Boucher
Molly Jae Vaughan

September 11 – October 24, 2021


Resound
Angélica Maria Millán Lozano + Frankie Krupa Vahdani

July 17 – August 22, 2021



umm no
Yuyang Zhang

April 15 – May 30, 2021


Things that have to do with fire
Vo Vo

February 18 – April 01, 2021


NO SANCTUARY
Panteha Abareshi + Kayley Berezney

December 17, 2020 – February 04, 2021


Ambrosia
Grace Stott

October 15 – November 19, 2020


Loopholes
Devin Harclerode + Laura Camila Medina

August 27 – October 04, 2020


Patterning
Ophir El-Boher

April 18 – May 31, 2020


American Hex
Christine Miller + Brittany Vega

February 01 – March 14, 2020


A Thousand Cuts
B. G-Osborne

November 16, 2019 – January 10, 2020


A Change of Light and other observations
Sammie Cetta

September 14 – November 08, 2019


flat out
Brandi Kruse

July 20 – September 06, 2019


A Thirst for Saltwater
Lehuauakea

May 25 – July 12, 2019


SUBLIMATION
Diana Palermo

March 30 – May 17, 2019


Ego Placebo
Wiley

January 26 – March 15, 2019


TREGUAS
Angélica Maria Millán Lozano

November 17 – December 20, 2018

Current

Tower of Babel
cassie renée peña

August 01 – September 14, 2025

︎︎︎ schedule viewing with Calendly

(Philadelphia, PA) Fuller Rosen Gallery is delighted to present Tower of Babel, a solo exhibition by cassie renée peña. Tower of Babel features new ceramic and furniture pieces highlighting renée peña’s passion for ancient and contemporary cultures. renée peña’s art practice investigates the spaces where disparate civilizations intersect and how physical artifacts show cultural transition and transference.

Join us for the opening reception of Tower of Babel at Fuller Rosen Gallery on First Friday, August 01 from 6-9 pm.


cassie renée peña, from Tower of Babel, 2025

In Tower of Babel, renée peña wrestles against the prevailing Judeo-Christian and Hellenistic depictions of Babylon as evil-sinful-foreign-oppressive-other. Colonial Europe and its subsidiary, the United States, have primarily looked to ancient Greece and Rome as its cultural progenitors ignoring Indigenous tribal cultures that contain most of Europe’s ancestral heritage. This is due to Hellenistic and Roman colonial control and its policy of suppressing or erasing Indigenous cultures. By creating re-imagined archaeological artifacts, renée peña envisions a culturally pluralistic present and future; a rejection of ethno-nationalism and imagining a West that could have been shaped differently if Persia had defeated Sparta at the Battle of Thermopylae.

Tower of Babel materialized over a year in response to witnessing American and European reactions to the genocide in Gaza and to Demian DinéYazhi’s work at the 2024 Whitney Biennial. DinéYazhi’s piece, text on a neon light that flashes: “we must stop imagining apocolypse/genocide + we must imagine liberation,” called cassie renée peña to move past observation to conceive a different reality. renée peña recognizes the tension with historical revision and imagined utopias. She does not want to ignore and minimize the current reality that land, artifacts, and lives are stolen today in the name of European supremacy as expressed through the ongoing genocide in historical Palestine, Sudan, against Armenians in Turkey, and in other countless ways in a mutitude of countries.

cassie renée peña, from Tower of Babel, 2025

For the creation of forms, renée peña looks to the text Ancient Pottery of the Holy Land: From Its Beginnings in the Neolithic Period to the End of the Iron Age by Dr. Ruth Amiran, Field Archaeologist of the Israel Museum. Published by Rutgers University Press in 1970, Ancient Pottery of the Holy Land is a dense archaeological record of pottery forms excavated from the Levant and Middle East. Through the practice of recreating these forms with the intention of borrowing and blending them with Hellenistic and modern European motifs, renée peña crafts a familiar but alternative world.


cassie renée peña, from Tower of Babel, 2025

The images of mass graves in Gaza scar renée peña’s mind and she reflects this through the covering of forms. This act notes the current reality of ancient and historical artifacts—that they are not only used as ethno-nationalistic trophies, but are hidden, covered, buried, and destroyed. Only a small portion of looted and stolen cultural history is ever repatriated.

The political turmoil between the United States, Israel, and Iran is a continuation of the surface story of Babel and Babylon. Babylon was the world capital for several empires, including the Assyrian and Persian Empires, until the rise of the Hellenistic world. In Judaism, Babylon symbolizes an oppressor and in Christianity, Babylon came to symbolize worldliness and evil. Until the historical city of Babylon was discovered, Europeans depicted Babylon as an “Oriental” amalgamation of the Egyptian, Greek, and Ottoman Empires.

For renée peña, the practice of creating an imagined past, the mythical Tower of Babel, represents an ideal of humanity; one where the cultures and languages meant to divide us are shared and celebrated. In this exhibition, collectivism and pluralism dismantle the Western mythologies that are meant to explain who is noble and who is barbaristic. renée peña provides audiences an opportunity to re-locate themselves in an egalitarian and democratic world that belongs to all cultures across all times.





cassie renee peña (b. 1984, Camp LeJeune, NC, she/her) is a self-taught artist whose focus is on functional-conceptual sculptures that evoke existential and spiritual themes through the practice of manipulating and recontextualizing pre-historic and historic ceramic forms. Bridging the relationship between use and meaning in craft, her art practice is meant as a form of both play and ritual-making rooted in the history of anti-capitalist art craft. renée peña has shown work in Philadelphia at the Clay Studio, Vicarious Love, Utility Works, and in other artist created arts spaces. She has also exhibited in North Carolina in various galleries and art spaces across the High Country.

Her work has been published in Heads Magazine and Art Maze Magazine. In conjunction with her studio practice, renée peña works in public health. She received her MA in Clinical Mental Health Counseling and Expressive Arts Therapy from Appalachian State University. renée peña currently resides in Philadelphia, PA.

Upcoming

Tower of Babel
cassie renée peña

August 01 – September 14, 2025

Ryan Patrick Krueger

October 03 – November 16, 2025

Mark